Original Review over at Film Stories - . Words (c) Film Stories “Do you even know what’s real and what’s not anymore?” “It’s on camera.” “That doesn’t mean anything.” Exploding a building costs an absolute fortune. Creating an entire CG world is jaw droppingly expensive. It takes a hell of a bank account to pay the salaries of big-name actors. For smaller films with modest budgets, competing with blockbuster movies can feel like a rigged game. Innovation and invention, thoug

Steve at Popcorn and Vodka interviewed Graham Hughes https://popcornandvodka.com/2014/02/05/graham-hughes-writerdirector-a-practical-guide-to-a-spectacular-suicide/ 1Q: Tell us a little about the origins of A PRACTICAL GUIDE TO A SPECTACULAR SUICIDE, from concept to financing. Well, I’ve been making films for the last 5 years with my two best friends from High School; writers Keith Grantham and Graeme McGeagh. After years of broad comedy films we wanted to attempt something

Elaine Livingstone spoke to Connect director Marilyn Edmond for this article in Glasgow Live - https://www.glasgowlive.co.uk/news/glasgow-news/glasgow-lives-marilyn-37-queens-16026818. Below is the text. As a film director, Marilyn has been involved in films like Sunshine on Leith, The Legend of Barney Thomson and Under the Skin. Today she explains why she loves her job and how mental health has played a big part in inspiring her recent work. I've worked in film and televisio

Outlander extra's death inspires film highlighting suicide epidemic among young men. Film director writes screenplay about depression in young males after tragedy of pal Liam O'Brien, 24, who she had met on the set of the hit series. The Daily Record ran this story on the inspiration for Marilyn Edmond's Connect. Original here by Heather Greenaway: https://www.dailyrecord.co.uk/news/scottish-news/mum-hopes-film-tragic-death-14792034?fbclid=IwAR3TMaGpxjdMdIFZPhdc8ijEWHwLhBNbE

Andrew Robertson has written a review for our film ' Tartan 19 - Connect'. You can read the review on the original site here - https://www.eyeforfilm.co.uk/review/connect-2018-film-review-by-andrew-robertson or the text below. (c) Andrew Robertson ike many men, I wear a watch, but like all Scottish men it's accompanied by a metaphorical one. This imaginary shackle on my wrist tracks two things which swing in proportion with age. At or around adulthood the pendulum swings in